Shop the A&E TV Gift Guide - Everything On Sale! Up to 60% off

Grading

Book Grading Scale:

I should point out here that both the book and the dustjacket are graded separately . Thus a book could be rated Fine and the dust jacket Very Good. The book's description would then show the grading as F/VG to denote the condition.

 A + or - may be used in the grading.

Reading Copy: Filler or for reading. Excessive damage, missing pages or loose pages or cover missing

Fair:  Damaged but complete. May have large creases, major edge wear, corner damage,

folds or rips. Glass may be chipped or have small crack.

Good: Major crease that is small, moderate damage to the edges and corners. No major rips.
 One common flaw on a Good book is a red or black "remainder mark" on the top or bottom of the text block ... it normally appears as a black line or dot.This is done so a bookstore can't return the book to the publisher.
Glass may have scuff marks, minor scratches, or fading on painted and colored designs.

VG: Minor creases, minor nicks to edges or corners, minor creases on corners, minor use scuffs.
Minor color fading.

Fine: May have up to 2 of the condition from the VG description. Minor shelf wear.

VF: Very little wear. Slight imperfections. Very Minor shelf wear. Stiff binding, crisp pages, no writing or marks.

NM:  Unread book. No autographs.

Comic Book Grading

Half points may be used

To grade a comic, you need to take in to consideration a number of factors before being able to assess the correct grade. One of the most important factors is first to count the interior pages. An incomplete book missing pages will have significantly less value then a complete counterpart. There are also a wide variety of possible other defects to the interior of a comic book. These can include missing pieces of pages, clipped coupons, tears, tape, glue, loose centerfold pages, insect damage, among other defects. Also, very important is the quality of the paper commonly referred to as "page quality". The deterioration of the quality of the pages is due to aging and or incorrect storage. This can include pages color changing from its original color of white to cream colored pages or as severely degraded as tan pages with brittleness. The most desired are books with white pages. Most collectors will accept any page quality except for books with slightly brittle or brittle pages in a collectible comic.
 
When initially looking at a comic book the first thing one will notice is the cover of the book. The cover of a comic is what typically takes the most abuse. Any amount of wear to the cover of the book must be factored into the condition and grading of the comic. This can include abrasions, tears, creases, bent corners, spine splits, chips, tape, glue, as well as a multitude of other types of wear we will cover in the grades noted below. You will notice that tape is considered a defect and not restoration. This has been considered a hobby standard for a long time I do not recommend using any non-archival tape on comics.
 
It's important to remember that the condition of the comic is just one of several key factors when buying, selling, or trading comics.
 
Rarity is one significant factor which can affect the value of a comic. How unusual or how easily replaced the comic might be. Collectors will be typically less inclined to part with a rare book easily. While rarity can significantly affect a book in a positive manner it is not the only factor in helping to assess value. If a rare book is not in demand within the comic collecting community no amount of this factor will help support the value of the book on its own.
 
Marketability is the demand for the book and also is their potential buyers interested in your comic? Comics with classic covers, first appearances, noted artists, and other types of strong interest from the collectors market will have more marketability then a common book that has no historical significance. The Internet has changed the marketability of books in the comic book market. Prior to the internet collectors had to purchase their comics either directly from comic dealers at conventions, retail stores, through private transactions, or through mail-order catalogs. In some instances comics that were once viewed as scarce or rare on a local level are now more readily available via the internet. Today, online comic auctions and consignment sites allow comics to be offered and have a more significant presence with a larger pool of potential buyers. Note that the marketability of any comic book can change based on time, the popularity of the character or characters, collector demand, etc.
 
Restoration is the treatment that returns a comic book to a known or assumed state through the addition of non-original material for aesthetic enhancement.
 

 
MINT GRADES
 
GEM MINT: 10.0
MINT : 9.9
 
The best possible existing condition of a comic book. A near perfect book. It is very rare especially in older comic books pre-1990 to discover a comic in either Mint or Gem Mint condition. Books in this condition pre-1980 are virtually non-existent.
 
An extremely exceptional comic with only very minute printing or bindery defects. The books cover is flat and without surface wear. No autographs or writing is allowed on either the cover or interior pages. Cover inks are exceptionally bright with high gloss. The books corners are perfectly square and sharp. Interior pages must me white in color and supple to the touch.
 
NEAR MINT+/MINT GRADES
 
NEAR MINT / MINT : 9.8
NEAR MINT+ : 9.6
 
This is close to mint with some minor defect.
 
  • A slight stress line by the staples.
  • The staples themselves are generally centered clean with no rust.
  • Maybe some of the color has chipped or flaked off the cover.
  • And again, the cover is flat with no surface wear; inks are bright with high reflectivity and very little fading. And those tricky corners are cut square and sharp with ever so slight blunting permitted.
  • You can tell that this comic has been stored properly and looks as new as the day it was printed.
  • All stress marks should be almost invisible and bindery tears must be less than 1/16 inch.
  • Only the most subtle binding and/or printing defects allowed.
  • Cover is fairly well centered and firmly secured to interior pages.
  • Paper is supple and like new.
  • Spine is tight and flat.
  • Unobtrusive date stamps or arrival dates in pencil or ink are acceptable.
  • Many pedigree collection comics have a notation on the cover or the interior of the comic and are considered a bonus to collectors as they help prove the provenance of the comic.
 
NEAR MINT/NEAR MINT- GRADES
 
NEAR MINT : 9.4
NEAR MINT - : 9.2
 
This comic book is an excellent copy with great eye appeal.
 
  • It is vibrant and clean with supple pages.
  • The spine may have a couple of very small stress lines at the most 1/4 inch the surface color around the line must not be noticeably broken.
  • The spine is almost completely flat.
  • The cover is relatively flat with almost no surface wear and the cover inks are generally bright with medium to high reflectivity.
  • The staples may show some discoloration, but it's not too noticeable on first glance.
  • The inside pages and covers usually will be off-white to white, but can be creamy or slightly yellowish.
 
VERY FINE/NEAR MINT GRADES
 
VERY FINE/NEAR MINT : 9.0
 
Slightly better condition than VERY FINE +:8.5, but is in lesser condition than the grade above.
 
VERY FINE+ : 8.5
VERY FINE : 8.0
VERY FINE - : 7.5
 
A very fine comic book appears to have been read a few times and has been handled with some care.
This one allows for some more defects.
 
  • Some of the above defects along with a small fold or crease in the cover.
  • Very few stress marks on spine.
  • A few small chips on the cover
  • The cover has some slight surface wear but still has its original gloss and there is nothing major wrong with it. Overall an exceptional, still very collectible.
 
FINE GRADES
 
FINE/VERY FINE: 7.0
Slightly better condition than FINE +: 6.5, but in lesser condition than the grade above.
 
FINE + : 6.5
FINE: 6.0
FINE - : 5.5
 
This comic book is definitely a well-read copy, but can still be a very desirable copy.
 
  • This could have one major defect like a larger piece out of the cover (1/4 inch to 1/8 inch) or a one-inch plus tear.
  • It has stress lines around the staples and creases from the opening and closing of the cover.
  • The whiteness of the pages has been changed to off-white to yellowish color.
  • This could have a reading or subscription crease or a rolled spine, but is not damaged enough to reduce eye appeal dramatically.
  • Some discoloration, fading in colors and even minor soiling is allowed.
  • The cover and/or inside pages could have minor tears and/or folds
  • Cover can be loose from one staple, but cover cannot be completely detached from interior.
  • Pages and inside covers could be brown but not brittle.
  • Depending on the grade of the copy certain amounts are available in this grade. i.e a book that looks 8.0 with a piece of tape on the interior cover is acceptable in this grade.
 
VERY GOOD GRADES
 
VERY GOOD/FINE: 5.0
VERY GOOD+ : 4.5
VERY GOOD : 4.0
VERY GOOD - :3.5
 
  • Book is complete, but with major creases and or a spine roll.
  • There is almost low cover gloss or at most times none at all.
  • The inside paper quality is not good and yellow and small pieces of them may be missing.
  • If there is a piece missing from the cover, it should be no larger than a 1/2" to 1/4".
  • Books in this grade are almost always creased, scuffed, abraded and soiled, but completely readable. Tape on the comic is considered a defect in this grade.
 
GOOD GRADE
 
GOOD/VERY GOOD: 3.0
GOOD + : 2.5
GOOD: 2.0
GOOD - : 1.8
 
Good is really a misnomer, but one that is still readable with numerous defects.
  • All the defects of a VG comic plus more.
  • There is almost low cover gloss or most times none at all.
  • The inside paper quality is not good and yellow and small pieces of them may be missing.
  • If there is a piece missing from the cover, it should be no larger than a 1/2" to 1/4".
  • Books in this grade are almost always creased, scuffed, abraded and soiled, but completely readable.
  • Book is complete, but with no missing pages and is still in a "collectible" grade.
 
FAIR GRADE
FAIR/GOOD : 1.5
FAIR : 1.0
 
This book has seen much better days and tends to be heavily worn and tattered.
 
  • A copy of a comic in this grade has all pages and most of the covers.
  • A book in this condition is worn, ragged and unattractive.
  • Heavy creases and folds are prevalent
  • paper quality can be very low
  • The spine and/or cover may be completely split.
  • Staples may be missing.
  • Corners are rounded.
  • Coupons cut from cover and or inside pages. Panels can be clipped out.
  • Parts of the front cover may be missing.
  • Soiling, staining, tears, markings or chunks missing will interfere with reading.
  • Brittleness maybe a factor.
  • Moderate to extensive amounts of tape is acceptable on the comic in this grade.
 
POOR GRADE
 
POOR : .5
 
It has major defects to the point that there is almost no collector value.
  • Copies in this grade typically will have pages and/or around 1/3 or more of the front cover missing.
  • They may have severe strains, mildew or heavy cover abrasion to the point where cover inks are gone.
  • Heavy defacing with paints, varnishes, glues, oil, indelible markers or dyes, etc.
  • The inside pages can be extreme brittleness.
 
NO GRADE (Coverless/Covers/Pages or Single Wrap)
 
This designation is only used for the purpose of authentication. Numerous collectors and comic fans will purchase coverless comics to either read or to obtain a filler copy of a book for their collection. Coverless books will typically sell for a percentage of the good condition value. Rare and key comic books that are coverless in many cases may sell for a percentage of guide value depending on the specific comic title and issue number. Typically lower then the .5 value, but can fluctuate based on market value.
 
  • Book can been coverless or be an incomplete partial comic (i.e. wraps).
  • Copies in this designation typically will in most cases be beyond collectibility to the majority of the hobby.
  • Rare key comics and incomplete pages i.e. centerfolds are considered to be valuable for either restoration purposes or for individuals who just wish to own a piece of comic history.
 
Restoration

I have researched the restoration of comics and I've recorded my findings below. This is my view on comic restorations and is intended as a guide only.
 
 
Restoration is the treatment that returns a comic book to a known or assumed state through the addition of non-original material for aesthetic enhancement.
 
Repairing comic books has been around in our hobby since the first comics were sold to the public. It is natural for people to want their books to look as new as possible or to remain intact so that they can continue to be read. Early in fandom history, simple and crude repairs were performed by the owner of the comic for these reasons. For example, a couple of pieces of tape were used to hold on the cover, a dab of Dad's wood glue was used to close a tear, some crayon made the cover look better, etc. As the hobby grew and comics became more expensive, the need to define and describe various repairs became apparent. Some repairs remained acceptable to collectors and were "grandfathered," such as tape. Most repairs, however, were defined as restoration.
 
Restoration can be broken down into two main types: treatments intended to prolong the existence of the comic book and treatments done for aesthetics. Both types of restoration involve the introduction of non-original material to create or facilitate a desired effect.
 
Examples of restoration include:

 

Color touch. Using pigment to hide color flecks, color flakes, and larger areas of missing color. Examples of pigments may include paint (acrylic, oil, watercolor, etc.), pencil crayon, pastel, pen, marker, white-out, etc. Color touch is sometimes called inpainting.
Pieces added (piece replacement). Added pieces to replace areas of missing paper. Piece replacement material can be non-original paper such as wood or cotton fiber papers, married from a donor comic book, or color-copied pieces. This process is sometimes called infilling.
Tear seals. Sealing a tear using an adhesive. An adhesive may be cellulose, chemical, or protein-based glues as well as anything that acts as an adhesive, such as saliva.
Spine split seals. Sealing a spine split using adhesive (adhesives are described above under "tear seals").
Reinforcement. A process by which a weak or split page or cover is reinforced with adhesive and reinforcement paper. Reinforcement papers are commonly wood or cotton fiber papers.
Cleaned (lightened). An aqueous process to lighten the paper color or remove soluble acids, often using chemical oxidation, solvents, or water. This process is sometimes called cleaned and pressed or C&P. Common chemicals used to lighten paper include benzene, acetone, xylene, sodium hypochlorite, hydrogen peroxide, chloramine-T, chlorine dioxide, sodium borohydrate, etc.
Re-glossed. Enhancing the cover gloss, typically through the application of canned re-glossing/art fixodent spray.
Non-additive processes such as dry cleaning (non-aqueous removal of dirt, soot, or other non-original surface material), pressing (removal or reduction of bends and creases), and tape removal, are not considered restoration by the comic book collecting industry. In accordance with hobby standards, the addition of tape is not considered restoration but sellers should always note tape to potential buyers.
While I believe that tape should never be used on a comic book for any reason, our hobby has accepted that people used tape to keep comic books from falling apart. This measure was taken even before comics became collectibles. In the early days of fandom, some sellers stated that tape was not a defect and some collectors even accepted tape on mid grades. I downgrade for tape, and consider it a defect no matter why or when it was added.
Restoration has become a controversial issue in the comic book hobby because it is not always disclosed by sellers, but can dramatically affect the value of a comic book. In some cases, restoration is not readily detectable to novices or individuals lacking expertise in restoration detection. Even experienced hobbyists miss restoration when grading comic books.

Trading Card Grading

Half points may be used.

A  Gem Mint 10 card is a virtually perfect card. Attributes include four perfectly sharp corners, sharp focus, full original gloss. A  Gem Mint 10 card must be free of staining of any kind, but an allowance may be made for a slight printing imperfection, if it does not impair the overall appeal of the card. The image must be centered on the card within a tolerance not to exceed approximately 55/45 to 60/40 percent on the front, and 75/25 percent on the reverse.


A Mint 9 is a superb condition card that exhibits only one of the following minor flaws: a very slight wax stain on reverse, a minor printing imperfection or slightly off-white borders. Centering must be approximately 60/40 to 65/35 or better on the front and 90/10 or better on the reverse.

A  NM-MT 8 is a super high end card that appears Mint 9 at first glance. But upon closer inspection, the card can exhibit the following: A very slight wax stain on reverse, slightest fraying at one or two corners, a minor printing imperfection and/or slightly off-white borders. Centering must be approximately 65/35 to 70/30 or better on the front and 90/10 or better on the reverse.

A  NM 7 is a card with just a slight surface wear visible upon close inspection. There may be slight fraying on some corners. Picture focus may be slightly out-of-register. A minor printing blemish is acceptable. Slight wax staining is acceptable on the back of the card only. Most of the original gloss is retained. Centering must be approximately 70/30 to 75/25 or better on the front and 90/10 or better on the back.

An  EX-MT 6 card may have visible surface wear or a printing defect which does not detract from its overall appeal. A very light scratch may be detected only upon close inspection. Corners may have slightly graduated fraying. Picture focus may be slightly out of register. Card may show some loss of original gloss, may have minor wax stain on reverse, may exhibit very slight notching on edges and may also show some off-whiteness on borders. Centering must be 80/20 or better on the front and 90/10 or better on the reverse.


On  EX 5 cards
, very minor rounding of the corners is becoming evident. Surface wear or printing defects are more visible. There may be minor chipping on edges. Loss of original gloss will be more apparent. Focus of picture may be slightly out of register. Several light scratches may be visible upon close inspection, but do not detract from the appeal of the card. Card may show some off-whiteness of borders. Centering must be 85/15 or better on the front and 90/10 or better on the back.


VG-EX 4: Very Good-Excellent.
Corners may be slightly rounded. Surface wear is noticeable but modest. May have light scuffing or light scratches. Some original gloss will be retained. Borders may be slightly off-white. A light crease may be visible. Centering must be 85/15 or better on the front and 90/10 or better on the back.

A  VG 3 card reveals some rounding of the corners, though not extreme. Some surface wear will be apparent, along with possible light scuffing or light scratches. Focus may be somewhat off-register and edges may exhibit noticeable wear. Much, but not all, of the card's original gloss will be lost. Borders may be somewhat yellowed and/or discolored. A crease may be visible. Printing defects are possible. Slight stain may show on obverse and wax staining on reverse may be more prominent. Centering must be 90/10 or better on the front and back.


A  Good 2 card's corners show accelerated rounding and surface wear is starting to become obvious. A good card may have scratching, scuffing, light staining, or chipping of enamel on obverse. There may be several creases. Original gloss may be completely absent. Card may show considerable discoloration. Centering must be 90/10 or better on the front and back.

A PR-FR 1 (Poor to Fair) card's corners will show extreme wear, possibly affecting framing of picture. Surface of card will show advanced stages of wear, including scuffing, scratching, pitting, chipping and staining. Picture will possibly be quite out of register and borders may have become brown and dirty. May have one or more heavy creases. A Poor card may be missing one or more small pieces, have major creasing and extreme discoloration or dirtiness throughout. Card may show noticeable warping. Centering must be 90/10 or better on the front and back.

Back
Your IP Address is: 38.107.191.105
Copyright © 2010 the2ndhandstore.org. Powered by Zen Cart
Shop the A&E TV Gift Guide - Everything On Sale! Up to 60% off